And he explains how Getz/Gilberto emerged from the context of Bossa Nova Rio de Janeiro, the brief period when the subtle harmonies and aching melodies of bossa nova seemed to distill the spirit of a modernizing, sensuous city. McCann also reveals the contributions of the less-understood participants (Astrud Gilberto's unrehearsed, English-language vocals Creed Taylor's immaculate production Olga Albizu's arresting, abstract-expressionist cover art) to show how a perfect balance of talents led to not just a great album, but a global pop sensation. So how did Getz/Gilberto become the Brazilian album known around the world, crossing generational and demographic divides? Bryan McCann traces the history and making of Getz/Gilberto as a musical collaboration between leading figure of bossa nova Joao Gilberto and Philadelphia-born and New York-raised cool jazz artist Stan Getz. Yet we've all heard 'The Girl from Ipanema' as background music in a thousand anodyne settings, from cocktail parties to telephone hold music. □ Lee Ahora □ Download Joao Gilberto and Stan Getz's Getz/Gilberto (33 1/3 Brazil) de Bryan Daniel McCannĭescripción - Reseña del editor Most die-hard Brazilian music fans would argue that Getz/Gilberto, the iconic 1964 album featuring 'The Girl from Ipanema,' is not the best bossa nova record. Download Joao Gilberto and Stan Getz's Getz/Gilberto (33 1/3 Brazil) de Bryan Daniel McCann PDF Gratis, Joao Gilberto and Stan Getz's Getz/Gilberto (33 1/3 Brazil) Pdf en linea
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